In
 between breaths, the world became still. Time once again was measured in sunrises and sunsets, shadows that grew to their terminal length in the confines of our homes. In its third year, this edition of Sound Forms has mutated and grown with the seismic shifts
 that have affected forms of mutual aid, care, and turmoil. Hong Kong, an international airport hub and transfer node,
 now finds itself physically isolated. Yet the project of world-building endures.

For
 the first time in the festival’s history, we will be holding events across two spaces. The first week, developed in collaboration with Tai Kwun Contemporary and held in the JC Cube Auditorium, celebrates diverse sound practices—from audio-visual machinima
 (work created inside of a video game engine) to
 infectious haphazard 
roars and beats from the city’s
 underground scene. In our second week, we return to the Hong Kong Arts Centre to transmit newly commissioned audio-visual works from international artists, paired with emerging local talent. The sound artists we have invited reflect those who have superseded
 the usual confines of their medium. What they have to offer is a sensorium of experience created in collaboration with video artists, composers, and choreographers.

Curated by Remy Siu with Hera Chan (TKC Edition)

於
 呼吸之間，天地靜默。日出日落數算著日子，陰影最遠也不能逾越家園。隨著翻天覆地的局勢變化，互助、關懷與動蕩的形式有所改變，第三屆《聲形》聲音藝術節亦同步地演化成長了。香港本是國際航空樞紐，也是世界各地旅客流動不息的要衝，現在卻發現自身與外界隔絕了。然而，重建世界的計劃仍能持續。

在
 《聲形》歷史中，我們安排的節目將會橫跨兩個場地。第一周的節目，將會在首度合作的大館當代美術館賽馬會立方中，演出多元化的作品 — 由聲影Machinima (由遊戲機生成的作品)以至地下音樂那些具感染力的嚎吼及節拍。
第二周的節目，將會回到香港藝術中心，為觀眾呈獻本地新晉藝術家及海外藝術家的委約聲影作品。
獲邀的聲音藝術家都是脫離媒體常規限制的藝術工作者。他們與錄像藝術家、作曲家和編舞家攜手，創造出刺激神經中樞的感官體驗。

聲音藝術節策畫﹕蕭逸楠 及 陳思穎（大館版）