Venue / McAulay Studio, Hong Kong Arts Centre
Date / 23rd March – 4 April 2016 (8:00am – 11:00pm daily)
Featured Artist
Ayoung Kim (South Korea), Dawang Huang (Taiwan), Chao-Ming Teng (Taiwan)
Exhibition: Date and Time: 23rd March – 4 April 2016 (8:00am – 11:00pm daily)
Curator’s Talk: Date and Time: 22rd March 2016, 8:30pm
Artists
Ayoung Kim (South Korea), Dawang Huang (Taiwan), Chao-Ming Teng (Taiwan)
Curator
Jau-Lan Guo (Taiwan)
Program
Harsh Landscape: Sonic Cartography, an exhibition curated by Jau-Lan Guo will be on view from 23rd March to 4th April in the foyer of Hong Kong Arts Centre. The exhibition attempts to employ sound as a method in reconsidering the disorder, disharmony and non-dialectical process of modernity. The term “landscape” refers to depiction of natural scenery by an artist, while “cartography” maps the world through techniques of quantization, projection and tracing. Borrowing terms from visual culture, this exhibition hopes to rethink spatiality of the modern world. Additionally, it also attempts to suggest an agitator of alternative knowledge model as well as action of sonic space through sound related works. Harsh Landscape: Sonic Cartography features works by three Asian artists, Ayoung Kim, Dawang Huang and Chao-Ming Teng, all grew up during the 1980s, and transforms the foyer space of McAulay Studio into the “chamber of sonic cartography”, hoping to propose a productive suggestion for “sound art”, a term that is not self-restricted.
Venue / McAulay Studio, Hong Kong Arts Centre
Date / 23rd March – 4 April 2016 (8:00am – 11:00pm daily)
Featured Artist
Ayoung Kim (South Korea), Dawang Huang (Taiwan), Chao-Ming Teng (Taiwan)
Exhibition: Date and Time: 23rd March – 4 April 2016 (8:00am – 11:00pm daily)
Curator’s Talk: Date and Time: 22rd March 2016, 8:30pm
Artists
Ayoung Kim (South Korea), Dawang Huang (Taiwan), Chao-Ming Teng (Taiwan)
Curator
Jau-Lan Guo (Taiwan)
Program
Harsh Landscape: Sonic Cartography, an exhibition curated by Jau-Lan Guo will be on view from 23rd March to 4th April in the foyer of Hong Kong Arts Centre. The exhibition attempts to employ sound as a method in reconsidering the disorder, disharmony and non-dialectical process of modernity. The term “landscape” refers to depiction of natural scenery by an artist, while “cartography” maps the world through techniques of quantization, projection and tracing. Borrowing terms from visual culture, this exhibition hopes to rethink spatiality of the modern world. Additionally, it also attempts to suggest an agitator of alternative knowledge model as well as action of sonic space through sound related works. Harsh Landscape: Sonic Cartography features works by three Asian artists, Ayoung Kim, Dawang Huang and Chao-Ming Teng, all grew up during the 1980s, and transforms the foyer space of McAulay Studio into the “chamber of sonic cartography”, hoping to propose a productive suggestion for “sound art”, a term that is not self-restricted.